David Virgil Hobbs wrote:
<SNIPPED>
> Anybody have any ideas re the pros and cons of reflectors versus
> diffusers?
First off, regarding the amount of light, the difuser seems to be more efficient
than a reflector in my experience and with the materials I use.
Regarding color, whether refelcted or difused, the light will take on the color
of the material. Difuser (softboxes) use a color neutral material, but a color
filter insert can change this subtely or dramatically. Reflectors can also be
color neutral or whatever fits the day. The larger the reflecting surface the
more difficult it is to illuminate it, and the more light is lost.
I've used thin cotton sheets as a difused source with the strobes set about 6
feet behind them ... this provided about 50 square feet of surface. The
photographer can stand right in front of this and hardly affect the amount of
light on the subject.
Regarding popularity, softboxes have been around for about 20 years, umbrellas
since ... well a long time. And umbrellas HAVE been used as difused sources
(shining light through an umbrella made of thin silk or cotton) for ... a long
time. Umbrellas are a lot cheaper than softboxes. But with umbrellas used as a
difuser there is a lot of spilled light that needs to be controlled or accepted.
Umbrellas and other refelectors generally take less time to set up than large
softboxes. Other difusion sources can include large frames with a thin white
material stretched over them (difuse all sorts of light, including sunlight).
When using a reflector, if the source light is distant from the reflector, then
both paths have to be managed. If it is refected in an umbrella, then it is
little different than a softbox.
IMO, the qualities ("softness") of the light off of a reflector like an umbrella
and those out of a softbox are little different, except in catchlights.
Catchlights in glasses and eyes are more pleasing when the shape is round. Most
softboxes are rectangular, so this needs to be carefully controlled.
In both cases, the larger the surface and the closer to the subject, then the
softest light is achieved.
MO
Cheers,
Alan
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