"Irakli West" <groups RemoveThis @urbandetail.net> wrote in message
news:bgr4aa$s5f$03$1@news.t-online.com...
>
>
> "Jim Phelps" <Jim.Phelps RemoveThis @MI.com> schrieb im Newsbeitrag
> news:3f2e7a10$1_1@news5.uncensored-news.com...
> >
> > I have thrown that blasted thing away
> > and gone to the Photo-Flo/Stabilizer followed by
distilled water trick
> I've
> > gleaned from here. No more problems.
>
> hi, apologies for picking up the thread from here.
>
> Could you dwell on this or kindly refer me to the relevant
posting? I am
> currently using a wetting agent bath (agepon) followed by
index and middle
> finger - I guess this is considered unsafe too?
>
> The problem is, water here is incredibly hard.
>
> TIA
>
> --
> Irakli
<font color=purple> > <a style='text-decoration: underline;' href="http://www.urbandetail.net</font" target="_blank">http://www.urbandetail.net</font</a>>
>
As I posted earlier in this thread a good final rinse,
especially where water quality is not so good is as follows:
Distilled or boiled water 1.0 liter
Isopropyl alcohol (99%) 25.0 ml
Photo Flo 2.5 ml
You can use 70% rubbing alcohol provided there is nothing
else in it like Oil of Wintergreen. Just use a little more.
The amount is not critical.
Photo-Flo is a mixture of two surfactants (wetting agents)
Agepon is, I think, identical to one of them (Triton-X) so
it should work fine in the above formula.
One reason to use a wetting agent is to eliminate the need
for squeegeeing. When film is wet the emulsion is soft. The
hardener in the fixer is supposed to make the gelatin less
vulnerable to damage while wet, but it is still better not
to rub it.
Keeping dust of negatives while drying is important for
the very reason above; the gelatin is soft when wet. So,
dust settling on it is more likely to stick or even become
embedded in it.
Keeping the drying area dust free can be difficult in some
areas. There are many suggestions for ways of avoiding dust,
a google search of this news group will find some of them.
Hard water is a problem since it can result in deposits of
magnesium or calcium on the film. These can show up as white
rings or an overall coating of a sort of white film.
This can often be removed by soaking the film in fresh
stop bath for a few minutes. Then swab off with cotton balls
and soak in the above mixture for two or three minutes
before re-drying. Its easier to get stuff off film while its
wet than after its dried. When the gelatin is wet it softens
and swells, just like a sponge. When it dries it shrinks
again and hardens up. Anything on the surface may be trapped
as the gelatin shrinks. When re-soaked the gelatin will
swell again but the particals may leave scars. You have to
try it to see if the film can be cleaned.
Usually drying marks in the form of mineral deposits will
come off without leaving marks behind.
Uneven drying, which can happen when a wetting agent is
not used, is caused by droplettes of water keeping the
gelatin from shrinking back evenly. Drying marks can be seen
on the surface and sometimes will show up on prints. They
look something like the water marks left by leaving a wet
glass on a table. Resoaking _may_ fix these but often will
not completely remove them. Better to use a wetting agent or
final rinse with a wetting agent so that droplettes can not
form on the surface. Squeegeeing will also remove droplettes
but carries the risk of damaging the softened emulsion.
--
---
Richard Knoppow
Los Angeles, CA, USA
dickburk RemoveThis @ix.netcom.com<!-- ~MESSAGE_AFTER~ -->
>> Stay informed about: Dust on Negative